THE TRANSVERSE PATH_front
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THE TRANSVERSE PATH
(or Nature's Little Secret)
by Mike Slack

100 pages / 7.5 x 10.15 in. / Hardcover
50 color photographs
ISBN 978-0-9992655-0-5
Edition of 900 copies
Signed copies
NOVEMBER 2017


42.00 USD

Clouds, electronics, fog, bugs, cellophane, rust, waves, particles… Mike Slack zooms in and out of a luminous terrestrial ecosystem in his latest work, The Transverse Path, surveying a topography of monumental details and mundane vistas with cosmic curiosity. Transcendental in mood, yet not without humor, Slack’s vaguely sci-fi photographs envision a sun-blasted wilderness of synthetic and organic stuff, all tangled together, flourishing and disintegrating on its own terms, as if engaged in an ageless negotiation (or flirtation?) just beyond our grasp. Where does nature end and its opposite begin? Made primarily around the American southwest from 2011 to 2017, these vivid compositions — like a series of thought-bubbles in search of a narrative — are concise yet driven by an ambiguous emotion that evokes both stark environmental dread and calm intimate reverie, or perhaps a combination of the two.

20 in stock (can be backordered)

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Reality is a web of concrete relations. The entities of the environment are merely knots in this web, and we ourselves are knots of the same sort.
— Vilém Flusser

Clouds, electronics, fog, bugs, glass, cellophane, rust, weeds, waves, particles… Mike Slack delves into an overheated terrestrial ecosystem in The Transverse Path, surveying a luminous topography of monumental details and mundane vistas with cosmic curiosity. Transcendental in mood, Slack’s vaguely sci-fi photographs envision a sun-blasted wilderness of synthetic and organic stuff, all tangled together, flourishing and disintegrating on its own terms, as if engaged in an ageless negotiation (or flirtation?) just beyond our grasp. Where does nature end and its opposite begin? And where do people figure into this balance? Made primarily around the American southwest from 2011 to 2017, these vivid compositions — like a series of thought-bubbles in search of a narrative — are concise and direct, yet driven by an emotional ambivalence that hovers between stark environmental dread and calm intimate reverie.


Mike Slack lives and works in Los Angeles. His books include Walking in Place 1: New Orleans,  Shrubs of DeathOk Ok Ok, Scorpio, and Pyramids. His photographs are in the permanent collection of the Los Angeles County Museum of Art.